Photography on Edge #102-103 2024

Photography on Edge

The published history of photography has long been motivated by a number of key principles: innovation and originality, authorship and nationality, chronology and medium specificity, technical excellence and aesthetic achievement. The folios [in OEI #102–103] offer an alternative way to regard this history. They comprise a series of repetitious fragments drawn more or less arbitrarily from across various photographic practices and genres. In every case, these folios present a photography on edge: tense, nervous, unsure of itself—at least when compared to the self-certainty we encounter in most histories of this medium.
A photography on edge is a photography that escapes the usual definitions. […] One thing is for sure: if they are to be included in future histories of photography, then we will need to set aside our prejudices and presumptions and learn to say what we see, and not just see what we already know how to say.”

Wanting More Justine Varga

Developing the Darkroom. A conversation with Justine Varga. Cecilia Grönberg & Jonas (J) Magnusson

Areola Justine Varga


Justine Varga

Tachisme. A stain on photography

Staging Photography

Painting with Photography

Måleri med fotografi


Geoffrey Batchen

Nya begynnelser

Dubbel förflyttning

Fotografi och spridning

Orörliga ting

Reflektioner över den

Reproducerande dagerrotypin

Fotografin i masspridningens tidsålder

En brevväxling mellan

Joan Fontcuberta och

Geoffrey Batchen

Det vardagliga-lokala?

Varför vardaglig-lokal fotografi?

Gränser och möjligheter hos ett fält

Samla saker

Att ordna tingen

Dolda mödrar

Negativtänkande

Fotogeniska teckningar

Politiska ekologier – Fotografi i kris

Publicerad: 2024-05-13

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